Close Menu
  • Home
  • Alternative News
    • Politics & Policy
    • Independent Journalism
    • Geopolitics & War
    • Economy & Power
    • Investigative Reports
  • Double Speak
    • Media Bias
    • Fact Check & Misinformation
    • Political Spin
    • Propaganda & Narrative
  • Truth or Scare
    • UFO & Extraterrestrial
    • Myth Busting & Debunking
    • Paranormal & Mysteries
    • Conspiracy Theories
  • Contact Us
  • About Us

Subscribe to Updates

Get the latest creative news from FooBar about art, design and business.

What's Hot

The World This Week — ‘An Uncertain War’ – Consortium News

April 18, 2026

Let’s Think Seriously About Alternative Energy Sources

April 18, 2026

Protest is Not Terrorism, No Matter What the DOJ Tries to Tell You

April 18, 2026
Facebook X (Twitter) Instagram
Facebook X (Twitter) Instagram
TheOthernews
Subscribe
  • Home
  • Alternative News
    • Politics & Policy
    • Independent Journalism
    • Geopolitics & War
    • Economy & Power
    • Investigative Reports
  • Double Speak
    • Media Bias
    • Fact Check & Misinformation
    • Political Spin
    • Propaganda & Narrative
  • Truth or Scare
    • UFO & Extraterrestrial
    • Myth Busting & Debunking
    • Paranormal & Mysteries
    • Conspiracy Theories
  • Contact Us
  • About Us
TheOthernews
Home»Political Spin»Paramount’s acquisition of Warner Bros. wouldn’t be the end of Hollywood or press freedom
Political Spin

Paramount’s acquisition of Warner Bros. wouldn’t be the end of Hollywood or press freedom

nickBy nickApril 15, 2026No Comments4 Mins Read
Facebook Twitter Pinterest LinkedIn Tumblr Email
Share
Facebook Twitter LinkedIn Pinterest Email


Paramount Skydance’s planned acquisition of Warner Bros. Discovery is being protested by much of Hollywood.

As of Tuesday afternoon, over 2,000 film and television professionals—including Mark Ruffalo, J.J. Abrams, Denis Villeneuve, and Ben Stiller—had signed an open letter opposing Paramount’s acquisition of Warner Bros. The letter warns that the deal would reduce competition in the industry and accelerate consolidation, which the signatories say is responsible for “the disappearance of the mid-budget film, the erosion of independent distribution, [and] the collapse of the international sales market.”

In December, Warner Bros. initially accepted Netflix’s $83 billion bid for Warner Bros. studio, HBO, and HBO Max. In an attempt to dissuade Warner Bros. from accepting Netflix’s offer, Paramount warned that the deal would not survive federal antitrust scrutiny and argued that their merger was more likely to be approved. (President Donald Trump publicly stated he would be involved in antitrust considerations regarding Netflix’s planned acquisition of Warner Bros. Not so coincidentally, Trump is close with Larry Ellison, who owns nearly half of Paramount and is the father of its CEO.)

In February, Warner Bros. accepted Paramount’s counteroffer of around $110 billion for the whole company, whose cable channels include CNN. Now, Paramount is the one facing antitrust scrutiny from state regulators.

Only days before Warner Bros. accepted Paramount’s offer, California Attorney General Rob Bonta issued a press release stating that “the proposed Warner Brothers transactions must receive a full and robust review, and California is taking a very close look.” Bonta is coordinating his antitrust investigation with New York Attorney General Letitia James, reports Politico.

Matt Stoller, research director of the American Economic Liberties Project, a nonprofit that promotes antitrust enforcement, says the merger must be blocked “if we want to continue to even have a TV or film industry.” Stoller tells Reason that Hollywood is at risk of being hollowed out like Detroit, thanks to a combination of domestic consolidation and foreign subsidies.

While concerns about consolidation “cannot easily be dismissed,” says Eric Fruits, director of economic research at the International Center for Law & Economics, “the analysis isn’t that simple.”

Fruits says the Paramount–Warner Bros. “merger would reduce the number of major studios and could increase bargaining power over talent and distributors,” and increase the likelihood of job losses. At the same time, Warner Bros. is a “financially constrained firm operating in a rapidly changing market” and “a combined Paramount-[Warner Bros.] could plausibly become a stronger competitor to Netflix, Amazon, and Disney+.”

Paramount and Warner Bros. have around 80 million and 120 million direct-to-consumer streaming subscribers, respectively. The other three major streaming services are larger: Disney+ at 132 million, Amazon Prime at 250 million, and Netflix with over 325 million subscribers. By consolidating their intellectual property, Paramount–Warner Bros. would present a more viable alternative to the three big streaming platforms, jointly attracting more subscribers than either Paramount or Warner Bros. does independently, and inducing price competition between itself, Disney+, Amazon Prime, and Netflix.

Instead of promoting competition between large producer-distributors, Stoller says regulators should break them up: “What we should do is separate out the distribution from the production.” But entertainment companies have been vertically integrating for more than 30 years, per the American Economic Liberties Project. Barring substantive lawmaking or rulemaking, this trend will not be reversed. Increasing competition in the current market structure is the best-case scenario, and that’s what Paramount’s acquisition of Warner Bros. would do.

But it’s not just the health of the industry that is concerning advocates. The merger would also “gravely threaten the freedom of the press by putting CNN and CBS News under the control of Donald Trump’s allies,” says Neera Tanden, president of the Center for American Progress, a progressive think tank. This statement fails to consider that the most popular evening news programs, ABC World News Tonight and NBC Nightly News with Tom Llamas, are both produced by left-leaning outlets.

Moreover, “Americans have more access to news than ever before from broadcast, cable, digital outlets, and independent creators,” says Fruits. An August 2025 survey conducted by the Pew Research Center found that 56 percent of American adults often get their news from digital devices, while only 32 percent do so from TV.

Paramount’s acquisition of Warner Bros. would likely disrupt the entertainment industry labor market, but it is likely to benefit American consumers.



Source link

Share. Facebook Twitter Pinterest LinkedIn Tumblr Email
nick
  • Website

Related Posts

Today in Supreme Court History: April 17, 1978

April 18, 2026

House votes to extend FISA program for 10 days while safeguards debated

April 18, 2026

Trump’s Iran deal looks a lot like the previous ones he hated

April 18, 2026
Leave A Reply Cancel Reply

Demo
Our Picks

Putin Says Western Sanctions are Akin to Declaration of War

January 9, 2020

Investors Jump into Commodities While Keeping Eye on Recession Risk

January 8, 2020

Marquez Explains Lack of Confidence During Qatar GP Race

January 7, 2020

There’s No Bigger Prospect in World Football Than Pedri

January 6, 2020
Stay In Touch
  • Facebook
  • Twitter
  • Pinterest
  • Instagram
  • YouTube
  • Vimeo
Don't Miss

The World This Week — ‘An Uncertain War’ – Consortium News

Independent Journalism April 18, 2026

Shaky truces are in place in Lebanon and Iran as the belligerents plot their next…

Let’s Think Seriously About Alternative Energy Sources

April 18, 2026

Protest is Not Terrorism, No Matter What the DOJ Tries to Tell You

April 18, 2026

A Cautionary Tale on the Dangers of Radical Movements and Ideologies

April 18, 2026

Subscribe to Updates

Get the latest creative news from SmartMag about art & design.

Facebook X (Twitter) Instagram Pinterest
© 2026 ThemeSphere. Designed by ThemeSphere.

Type above and press Enter to search. Press Esc to cancel.